Call Us: 732-749-3360

Abstracts by Zol

Abstracts by Zol

January 24 – February 6 in the BAC Gallery
Gallery Hours are Wednesday-Saturday 1-5pm

Show runs concurrent with the 2015 Member’s Salon in the Main Gallery
A reception for this show will be held on Saturday, January 24 from 5-7pm
Zol FullSizeRenderZol 3 FullSizeRender






Artist Full Name: Zol Bayar Uguumursaikhan
Hydrogen and helium are by far the most abundant elements in the universe. However, iron is the most abundant element (by mass) making up the Earth, and oxygen is the most common element in Earth’s crust. Although all known chemical matter is composed of elements, chemical matter itself is hypothesized to constitute only about 15% of the matter in the universe. The remainder is believed to be dark matter, whose composition is largely unknown and most of which cannot be composed of chemical elements, since it lacks protons, neutrons or electrons.
Pangea was a supercontinent that existed during the late Paleozoic and early Mesozoic eras. It formed approximately 300 million years ago and then began to break apart after about 100 million years. Unlike the present Earth, much of the land mass was in the Southern Hemisphere. Pangaea was the first reconstructed supercontinent and it was surrounded by a super ocean, known as Panthalassa.
A chemical element is a pure chemical substance consisting of a single type of atom distinguished by its atomic number, which is the number of protons in its atomic nucleus. Elements are divided into metals, metalloids, and nonmetals. The lightest chemical elements, including hydrogen, helium and smaller amounts of lithium, beryllium and boron, are thought to have been produced by various cosmic processes during the Big Bang and cosmic ray spallation. Production of heavier elements, from carbon to the very heaviest elements, proceeded by stellar nucleosynthesis in certain planetary nebulae and supernovae, which blast these elements into space where they are available for later planetary formation in solar systems such as our own. The high abundance of oxygen, silicon, and iron on Earth reflects their common production in such stars.
The Universe is the totality of everything that exists, has existed, and ever will exist. Similar meaning is sometimes conveyed with the words cosmos, world, reality, and nature. The Universe includes all of spacetime; the entire contents of outer space; all matter, energy, dark matter, and dark energy; all galaxies, stars, and planets; all humans and every living thing; all molecules, atoms, subatomic particles, photons, and their wave dualities; all physical constants, physical laws and fundamental interactions. The Universe can even be understood to encompass all of mathematics, all concepts and ideas, and all thoughts and emotions.
Deep subsurface environments mimic in many respects the surface environment of the ancient earth before the evolutionary development of photosynthesis pumped oxygen into earth’s atmosphere. Thus, deep subsurface microbial processes are the closest living record of life as it existed on the ancient earth. Because current theories for the origin of life do not require the intervention of sunlight, and because the surface environment of the early earth was constantly subjected to the sterilizing effects of meteorite bombardment, life could conceivably have begun in the subsurface. Currently bench-top experiments have explored various aspects of life’s origins, but performing such experiments underground could provide critical new clues to how life made the transition from a cluster of prebiotic molecules into a single cellular entity with nucleic acid (DNA).

Born in St. Petersburg, raised in Moscow and Ulan Bator, Mongolia, Zolbayar Uguumursaikhan, “A-goo-mur-sy-kan”, is an artist, who is as unique as his name. Zol immigrated to the United States at the age of 13 with his father, a descendent of the honored Halha bloodline of Genghis Khan, and mother from Kalmykia, the only European Buddhists.
Zol worked in construction until 2008 and simultaneously began his study of anatomy, biology, science and art history, following his completion of high school. The juxtaposition of such seemingly diverse pursuits helped to develop Zol’s recognition of artistic intuition in the application of conventional skills and knowledge. As he developed as a skilled craftsman, Zol yielded to the natural course of expression that only the fine arts allow. Zol began his artistic pursuits as a talented and accomplished photographer, and he has transitioned the application of his talent to expressions in painting.

Artist’s Statement:
Painting allows me to link the process of natural creation to the expression of an artistic creation. For me, art fills the yawing desire to remain connected to the perennially fecund cycle of life; it holds the tension between the fact that the artist is creator with the recognition that he is also created. My creation of Art allows me, as the attenuated observer of the semiotics of life’s seasons, to both observe and express levels of abstraction springing with fecund creativity.

Life adapts to its environments – trees sync with the calendar knowing when to shed and bud, animals instinctually recognize the signs of the changing seasons – everything in nature has its role and reason for functioning; it is all meaningful and purpose-filled. As an artist, I seek out the visual and sensual nature of this harmony and bare expression of life. Sustaining the seeming spontaneity that appears in nature and relying on the guidance of my intuition and subconcious connects me to the natural state of being. Such a coupling counters any impulse to overanalyze as I create. Abstract art is similar to nature: To grasp it, one must be comfortable with, and accept, the unknown and perennial flux of forces.

To me, innate impulse is the origin of life. All that is living and constructed from life originates from, and returns to, the earth. Living tissue is implanted and reimplanted in the earth, and what reemerges is a naturally orchestrated new life. I theorize and infuse my work with this cosmogenic thinking, the dynamics of the Universe, as I strive to incorporate emotional content into my abstractions. My work is created through the incorporation of minerals, elements and raw natural materials, the underground matter and structure that surrounds me. The use of these minerals and elements leads me to each new vision: Nature, itself, offers the guide of color incentive, texture, and light. All is intermingled.

Visit Us On TwitterVisit Us On FacebookVisit Us On PinterestCheck Our Feed